#AVENGERS INFINITY WAR MOVIE BOB MOVIE#
But this fulfilling the promise of “Infinity War” is that all of the characters are working together in this movie to try to stop Thanos, including Stan Lee. And it was a very gentle blowing on his ear actually did it. We’ve been asked hundreds of times how we got Tom Holland’s hair to stand up his arm. What are they going to see? What is the audience going to see? And then here is probably the most asked about VFX shot in the movie is the hair standing up on Peter Parker’s arm. It’s a way to increase tension as they walk down the sidewalk. And we discover it as they discover it, and the scope of it as they discover it.
We stay in the perspective of these characters as they walk out into Greenwich Village and discover the scene of chaos unfolding. And this shot here is in that vein in the sense that it’s a very long shot. And this shot, you know, part of what we tried to bring to the MCU as filmmakers on a tonal level ever since our first film, “Captain America, Winter Soldier” is just a grounding and a real world patina over who these people are to try to bring out their humanity a little more in contrast to their powers. The intention was to create propulsive narrative, where the plot is driven by the villain, and he keeps interrupting the heroes because he’s one step ahead of them. You wouldn’t happen to be moving your hair, would you?” “Not at the moment, no.” Part of the creative appeal of this movie was us bringing together disparate characters throughout the MCU and kind of smashing them together in a crisis situation. And Tony Stark is looking at the burner phone that Steve Rogers gave to him, trying to decide whether or not he’s actually going to contact Steve about what’s occurring in the movie when he is interrupted by a sound. And we are the directors of “Avengers: Infinity War.” This scene takes place about 20 minutes into the film in Dr. Transcript Anatomy of a Scene | ‘Avengers: Infinity War’ The directors Anthony and Joe Russo narrate a scene featuring Robert Downey Jr., Benedict Cumberbatch, Mark Ruffalo, Benedict Wong and Tom Holland. This synergistic expression of the corporate interests of Marvel Studios and the Walt Disney Company - which now include 19 feature films and much else besides - has come to be less a creative or commercial undertaking than an immutable fact of life, like sex or the weather or capitalism itself. Which poses a few difficulties, for me and also, I would argue, for you.ĭirected by Joe and Anthony Russo, scrappy fraternal climbers up the 21st-century Hollywood ladder, “Infinity War” is a chunk of matter in the Marvel Cinematic Universe, a vast entity that long ago expanded beyond the usual boundaries of sequelization and brand extension. In that respect it shouldn’t really be thought of as a movie at all, at least in the ways people with jobs like mine are accustomed to using the word. But of course this film, the 19th installment in a series, was never meant to be viewed or judged in isolation. It’s puzzlement and irritation and also, yes, delight. No: It’s salvation.” That’s a bit overstated either way. Early on, someone menacingly (and presciently) says, “You may think this is suffering.
Considered on its own, as a single, nearly 2-hour-40-minute movie, “Avengers: Infinity War” makes very little sense, apart from the near convergence of its title and its running time.
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